Tag Archives: Loire Valley châteaux

Loire Valley, Loire Valley châteaux, Restaurants

The Secret Châteaux of the Loire Valley – Langeais, Villesavin, Montpoupon & Beauregard

February 23, 2015 Rosemary Kneipp 10 Comments

First published in The Good Life France

My top ten châteaux and castles in the Loire Valley are the four “Cs” – Chenonceau, Chambord, Cheverny and Chaumont – followed by the royal castles of Amboise and Blois, all of which are located in the same general area, then Azay le Rideau, Ussé and Villandry, which form another geographical group, and Valençay, out on its own.

Chenonceau, undoubtedly the most beautiful of all the châteaux

But there are many others, all with different appeal, that are well worth a visit. Langeais is a royal castle and fortress, while Villesavin, Montpoupon and Beauregard are châteaux.

Royal Castle of Langeais

The Royal Castle of Langeais, built in 1465 by King Louis XI, is an excellent example of a late mediaeval fortress, with a drawbridge in working order and a parapet walk with stunning views open to visitors.

The interior furnishing is typical of the period, with sculpted wooden chests and fine tapestries. Fifteen wax figures give a lifelike representation of the secret marriage of Charles VIII and Anne de Bretagne in 1491 when Charles was 21 and Anne only 16.

A wedding pageant at Langeais castle — The secret marriage of Charles VIII and Anne de Bretagne

A large park behind the château offers an excellent view of the Loire and even has (reconstructed!) mediaeval scaffolding. In the summer, pageants are often performed and we were lucky enough to witness a simulated wedding between a young lady called Raoulette and a man whom she had never seen, chosen by her upwardly mobile parents for his wealth.

You can have tea and cakes or a light lunch at La Maison de Rabelais just opposite the castle. It’s also a bakery and patisserie. 2 Place Pierre de Brosse, 37130 Langeais, France
+33 2 47 96 82 20

Château de Langeais (25 min from Tours, 1hr 15 from Blois, 15 mins from Villandry)

Open: February & March 9.30 am to 5.30 pm, April, May, June, September, October to November 11, 9.30 am to 6.30 pm, July & August, 9 am to 7 pm, November 12 to 31 January, 10 am to 5 pm, December 25, 2 pm to 5 pm.

Prices: Adults, 9 €, aged 18 to 25, €7.50, aged 10 to 17, €5, children under 10, free.

Château de Villesavin

Château de Villesavin, which isn’t really a castle, is an hour’s ride on horseback from Château de Chambord and was actually a glorified worksite hut built at the beginning of the 16th century by Jean Le Breton who was François I’s minister of finance and in charge of the construction of his “hunting lodge”.

The inside of the building isn’t particularly interesting, except for the “try-out” for the monumental staircase at Chambord and the kitchen, which has a few original features. Photographs of the interior are not allowed, unfortunately.

Far more interesting is the 19th century wedding museum with its large collection of wedding dresses, headdresses and globes!

In the grounds there is well-preserved dovecote with a spiral ladder and 1,500 dove cells. A second museum contains horse-drawn carriages and a large number of children’s carriages. The annual chocolate fair is held duringthe third weekend in October.

There is a gastronomic restaurant nearby called Restaurant l’Agriculture, Le Bourg, 41250 Tour en Sologne, 02 54 46 45 10 http://www.hotelrestaurant-agriculture-41.com

Château de Villesavin, 41250 Tour-en-Sologne (17 km de Blois, 9 km de Chambord et 6 km de Cheverny)

Open: March 1 to May 31, 10 am to noon and 2 pm to 7 pm (closed on Thursday in March); June 1 to September 30, 10 am to 7 pm every day; October 1 to November 15, 10 am to noon, 2 pm to 6 pm (closed on Thursdays in November).

Prices: Adults including guided tour + grounds + wedding museum €8, grounds + wedding museum €6, aged 10 to 16, €6.50 & €4.50, aged 6 to 9 €4.50, free under 6.

Château de Montpoupon

Château de Montpoupon, just 10 minutes from Château de Chenonceau, is an excellent example of what can be done to make a small family château attractive to the public. A recorded conversation between a young girl and her father, for example, is used to take the visitor through the living and dining rooms and King’s Bedroom downstairs and the family bedrooms upstairs.

fMontpoupon as you see it from the approach

Initially a mediaeval castle built by a Germanic clan at the time of Charlemagne, it has been converted over the centuries into a château. The towers from the original castle are 13^th century, the main block is 15^th century but built in a somewhat older style, and the gatehouse 16^th century.

The extensive 19th century outbuildings contain several exhibitions relating to the Hunt, which was and still is, one of the main activities of the various owners down the centuries.

The lovely collection of Hermes scarves at Montpoupon

In particular there is a large display of Hermès scarves which were originally an integral part of the hunting scene. A most enjoyable visit.

The Auberge de Montpoupon next door is open from 1st April but there are also several places to eat in Chenonceau with a view of the château, and other possibilities in Montrichard.

Château de Montpoupon (10 minutes from Chenonceau, 15 minutes from Montrichard, 20 minutes from Chambord)

Open: April to September, every day, 10 am to 7 pm. October, every day, 10 am to 1 pm and 2 pm to 5 pm. 16 February, March and November, weekends and school holidays, 10 am to 1 pm and 2 pm to 5 pm. Closed in January and December.

Prices: Adults €8.50, students & seniors €7.50, aged 6 to 15 €5.

Château de Beauregard

The château started off as a manor house in the 15th century and was confiscated from the owner, François Doulcet, by Louis XII when he was found guilty of embezzlement. François I used the house as a hunting lodge before giving it to his uncle René de Savoie who sold it to Jean du Thier, Henri II’s finance minister in 1545. Work carried out between 1553 and 1559 turned Beauregard into one of the finest châteaux in the Loire Valley. A gallery and an L-shaped wing were added to the original building.

The harmonious Italianised architecture includes arcades in the gallery surmounted by terracotta medallions. Its high white chimneys “à la Chambord” are incrusted with slate. All that remains of Jean du Thier’s interior decoration, however, is the Cabinet des Grelots, his work cabinet, with its delicately sculpted caisson ceiling completed in 1554 by the royal cabinetmaker Scibec de Carpi.

The stunning portrait gallery at Beauregard

But it was Paul Ardier, Louis XIII’s minister who was responsible for its most prominent feature. After retiring from political life, he decorated the Grand Gallery between 1620 and 1638 with 327 portraits spanning three centuries (1328 to 1643), forming the largest collection of historical portraits in Europe. They are not all works of art, of course, but the collection is impressive.

There is a restaurant in the grounds open from 10.30 am to 6 pm from 1st to 29th May, July and August.

Château de Beauregard, Cellettes (15 mins from Blois, 25 mins from Chambord, 15 mins from Cheverny)

Open: 18th November to 14th February, by reservation only (groups), 15th February to 30th March 11 am to 5 pm, 31st March to 29th June, 10 am to 6 pm, 30th June to 31st August, 10 am to 7 pm, 1st September to 2^nd November, 10 am to 6 pm, 3rd November to 11th November, 11 am to 5 pm.

Prices: Park and château : 12.50 euro (park only : 9 euro); children from 5 to 13 : 5 euro (park only : 5 euro)

Architecture, Loire Valley, Loire Valley châteaux

Château de Beauregard – 327 historical portraits

January 6, 2014 Rosemary Kneipp 3 Comments

We kept on passing Château de Beauregard when cycling to Chambord and Cheverny, so we finally scheduled a visit on a Sunday morning in March. We were surprised to run into friends from Montrichard who had just finished their visit! It’s a small world, isn’t it?

Approaching Beauregard through the landscaped park

The majestic rear façade with its slate-incrusted chimneys “à la Chambord”

Cabinet des Grelots with Diane de Poitiers

Close-up of some of the portraits and beautiful painted ceiling

Ardier’s son and granddaughter added the Delft floor tiles, lapis lazuli ceiling and sculpted murals. The Ardier family left the château in 1816.

Grand Gallery with its 327 historical portraits

The west wing was destroyed in the 19th century and a second gallery built on the south side. It was modernised in the 20th century by the Tillier family before being bought by the Pavillon family in 1925. It was opened to the public in 1957. Restauration is ongoing and the landscaped park has now been completely restored.

The château also houses a portrait exhibition of dogs owned by famous people. The International Animal Portrait festival was launched in 2012.

We did not explore the grounds which are obviously not their best in mid March. The Cabinet des Grelots and the Portrait Gallery in particular are quite exceptional but the other rooms are somewhat disappointing.

Some effort has been made to recreate the atmosphere in one of the bedrooms but I’m afraid it’s not very convincing. Dog lovers, however, will no doubt appreciate the exhibition, even if it seems a little incongruous.

Opening hours

18th November to 14th February, by reservation only (groups).

15th February to 30th March 11 am to 5 pm, 31st March to 29th June, 10 am to 6 pm, 30th June to 31st August, 10 am to 7 pm, 1st September to 2^nd November, 10 am to 6 pm, 3rd November to 11th November, 11 am to 5 pm.

Restaurant open from 10.30 am to 6 pm from 1st to 29th May, July and August.

Prices

Park and château : 12.50 euro (park only : 9 euro); children from 5 to 13 : 10 euro (park only : 9 euro)

Architecture, Art, Loire Valley, Loire Valley châteaux

Château d’Azay-le-Rideau

April 3, 2013 Rosemary Kneipp 25 Comments

Azay-le-Rideau has always been one of my favourite châteaux in the Loire Valley although it doesn’t have the majesty of Chambord, Chaumont or Chenonceau, which is not surprising because it’s not a royal castle. The original fortress was bought by a rich financier called Gilles Berthelot in 1510. After marrying Philippe Lesbahy, a rich heiress – Philippe was a popular woman’s name in Renaissance times – he embarked on a flourishing career under François I.

Front entrance to Azay-le-Rideau on Easter Sundy — Front entrance to Azay-le-Rideau on Easter Sunday

Built on an island in the Indre River and considered by many to be a “jewel of the French Renaissance”, Azay-le-Rideau combines the Italianate and French styles. The main central staircase with its three levels of loggias was one of the first examples of straight rather than spiral stairs in France.

One of the ceilings over the main staircase

The interior of Azay-le-Rideau is more sober than most of the larger châteaux and one of its most striking features is its monumental fireplaces of which there are many different types.

One of the monumental staircases with François I's emblem, the salamander — One of the monumental fireplaces with François I’s emblem, the salamander

The château was abandoned after the French revolution and redecorated by the Marquis de Biencourt. In 1898, the 4th Marquis had to sell out and it was not until it was bought by the State in 1905 that renovation began.

Now most of the rooms are decorated in the 19th century neo-Renaissance style, but the royal apartments still have some older pieces.

Philippe Lesbahy's bedchamber — Philippe Lesbahy’s bedchamber

A recent and extremely interesting addition as I mentioned in Easter Sunday in Château country, is Philippe Lesbahy’s bedroom. The beautiful neo-Renaissance four-poster bed dates from the 1840s and is sumptuously decorated. All the brightly coloured soft furnishings are copies of originals depicted in contemporary paintings. The large blue cushion, for example, is identical to that in Maître de Flore’s La Naissance de l’Amour. The trimmings are all handcrafted.

The extraordinary cartisane at the end of the red velvet bolster is a work of art in itself. The original can be seen in Toussaint Dubreuil’s Hyante et Climène. It alone required 58 hours of work! The feather counterpane cover is made of “oignon-skin” silk velvet and has intricate hand-made buttons.

Rush matting next to monumental fireplace

The walls are covered with traditional braided rush matting very popular in France in Renaissance times because it kept the room warm in winter and cool in summer. In the painting entitled Dame au Bain in the next room, you can see herringbone rush matting in the background. No examples of rush walls have survived in France, but there is one at Hampton Court in England, which was used as a model. The hand-braided rushes were collected in Bedfordshire.

There is a fascinating and extremely informative video in the bedroom showing how all the different furnishings and matting were made as well as a panel with samples of the materials used.

Another exhibition has been added since my last visit as well. The roof space, opened a couple of years ago after major restoration, is the most remarkable example of Renaissance master carpentry now on show.

Azay-le-Rideau reflected in the "mirror" moat — Azay-le-Rideau reflected in the “mirror” moat

The actual location of Azay-le-Rideau contributes very largely to its charm. The natural moat forms two mirrors of water reflecting the ornately sculpted frontons and pointed roofs of the château. The lovely jardin à l’anglaise or landscaped garden is the perfect place to wander through on a fine day.

Open every day from 10 am to 5.15 from October to March, from 9.30 to 6 pm in April, May, June and September, from 9.30 to 7 pm in July and August. Closed 1st January, 1st May, 25th December. 8.50 euro + 4.50 for an audioguide.

Architecture, Loire Valley, Restaurants, Sightseeing

A Visit to Chambord the Magnificent, including lunch

December 26, 2012 Rosemary Kneipp 13 Comments

The day we went to Chambord, we really needed the break from our fireplace renovation. What I didn’t realise is that Chambord has over 300 fireplaces, a few of which look remarkably like ours.

We had decided to have lunch at the Saint Michel, just opposite the château and as we entered the restaurant, the waitress apologised for the smoke from the fireplace. Well, we know what the problem is, don’t we! Tightly closed windows and insufficient air intake. But it was pleasant to have a fire and our Australian friends appreciated the hunting decor and actually liked the smoke.

We all ordered the 22 euro “bistrot” menu as opposed to the 37 euro gourmet menu. I was amused to see that all the starters on the bistrot menu were Italian (smoked salmon and prawn cannelloni, prosciutto and mozarella bruschetta, beef carpaccio and mini red peppers stuffed with ricotta) while the main courses were traditional dishes (dear stew – no kidding – steamed haddock, three fishes stew and lamb knuckel-end & smashed carrots – also in the original.

Dessert was pear financier, French pain d’épices toast with salted-butter caramel ice-cream and crème brûlée with green lemon – they meant lime of course. The food was tasty and fresh, except for the French toast which had seen better days, and the service was friendly. I learnt afterwards that it’s also a very reasonably priced hotel. I don’t know what the rooms are like but having breakfast with that fabulous view of Chambord might be worth a bad bed!

The first thing we saw when we went into the château was the famous double-revolution staircase where two people can go up or down without ever meeting. Note the lack of people in the photo, perfectly possible in winter and totally unheard-of in summer. We were fascinated with the fireplaces and firebacks of course and loved the beautiful ceilings and other architectural details. One of the fireplaces is exactly the same shape as ours.

We headed for the roof (see my previous post on Chambord) while the light and weather were still good, which were were perfectly right to do because it started raining as we left.

Caisson ceiling with François Ier’s salamander and “F”

After our visit to the rooftops, I then discovered that there is a series of furnished rooms which I have never seen before. It seems that in the mid-nineteenth century, the Count of Chambord decided to open the château to the public and furnish some of the apartments with his own private collection, mainly consisting of royal portraits.

When it became State property in 1930, there were 440 pieces, but only seven pieces of furniture. Today, there are 4,500 objects, including tapestries from the 16th to 18th centuries, and a large collection of furniture, particularly four-poster beds and objets d’art.

I even saw a bust of Molière, which I found surprising, but Louis XIV was also the master of Chambord and came to stay a total of nine times (far more than François Ier!), inviting Molière’s theatre troupe for entertainment.

I felt as though I hardly touched on the wealth that Chambord has to offer, so next time we cycle there, I’ll make sure we visit as well. I may have to get a season ticket!

Le Saint Michel, Place Saint Louis – 41250 CHAMBORD, Tél. / Phone : +33 2 54 20 31 31 – Fax : +33 2 54 20 36 40, hotelsaintmichel@wanadoo.fr, www.saintmichel-chambord.com

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