I haven’t been reading many blogs this week with the move but I’m sure you”ll get a kick out of Mary Kay’s chocolate fashion show on Out and About in Paris – not exactly what we saw at Château Villesavin! And Margo Lestz is back in Nice with lots of writing and reading suggestions for November on The Curious Rambler. Enjoy!
Chocolate Fashion Show at the 20th Annual Salon du Chocolat in Paris!
by Mary Kay from Out and About in Paris, an American by birth, Swiss by marriage, resident of Paris with a Navigo Pass for the metro that she feels compelled to use
French fashion doesn’t get much sweeter than the fabulous creations seen gracing the runway during the 20th annual Salon du Chocolat in Paris last week. The inaugural gala featured a retrospective collection of 60 mouth-watering designs worn by French television stars, singers, athletes and models.
I spotted quite a few of my favorite gowns from previous years: a mythological looking garment with diaphanous wings, a dress with four white doves enclosed in a delicate chocolatey flounce at the back and a Hindu goddess style costume with an ornate headdress. Read more
November News: Happy Halloween
by Margo Lestz from The Curious Rambler, who lives in Nice, France where she likes to bask in the sunshine, study the French language and blog
I’m finally back to Nice after travelling for two months. I have basically been on the go since April and now, I just want to stay home. Travelling is nice, but sometimes it’s just good to get home and stay there for a while. So I am planning to stay home all winter long (or at least for a while) and write.
Because November is for writing!
All across the world, writers dedicate November to their craft. There are several organizations that help to keep those fingers tapping away at the keyboard. If you are interested, check out the following: Read more
It’s an intermittent fast day so we prepare a picnic to eat in nearby Estrela Gardens with their exotic trees and shrubs and 19th century bandstand, obviously a Saturday rendez-vous for the locals.
There’s even an outdoor cinema. What a pity it’s in Portuguese or we could come back in the evening and conjure up childhood memories of sitting under the stars on canvas seats at Magnetic Island in North Queensland, particularly with all the tropical trees around us.
Just opposite the park is the imposing Estrela Basilica but there is a mass inside so we don’t visit – it doesn’t look any different from most of the other churches we’ve seen in Lisbon anyway.
Instead we take the famous n° 28 tram which is a great favourite with tourists so is usually completely full. But this is the terminus even though the tram does a loop so we manage to get a seat. If you are on the tram and want to continue you have to get out and walk to the next stop a few metres further on.
As we’re almost at the beginning of the queue, we both get a single seat on the right. It takes us up the hill to the cathedral and through the Alfama quarter we visited in the rain but as today is fine and sunny, there are a lot more people. We decide to stay on the tram until the second terminus.
With a big clunk, the tram stops and the driver announces finished. Some of the people look completely bewildered because they don’t know about moving along to the next stop. Jean Michel checks the map and says we’re in Largo da Graça and we can walk to the Miradouro Sophia de Mello Breyner Andresen, which we also visited in the rain. It, too, is full of people today.
However, it still offers the best view of the castle on the next hill over. Up and down we go until we reach a very decrepit area that is part of the Alfama but last time we came from the opposite direction and it didn’t look nearly as bad.
We walk around the ramparts of the castle but they are hidden by more delapidated housing. We walk through a tiny street and come out on an a vacant alotment with masses of artificial flowers. This, we learn from the sign, is a work of art called the Disoriented Pavilion by Camila Cañeque, Spain, 1984. Taking “disappointment as a starting point, the sign explains, her art interrogates unending paradoxes on how humans create and modify the cultural/material landscape they inhabit”. Yes, well …
The castle is surrounded by souvenir shops and cafés. There is a long queue even to visit the grounds so, instead, we decide to go to the nearby 17th century Mosteiro de São Vicente de Foro (Monastery of Saint Vincent outside the walls), renowned for its azulejos and in particular a collection illustrating La Fontaine’s fables.
We give the church a miss and enter the monastery via a bougainvillea-covered courtyard. Inside are two-storey cloisters with blue and white azulejos on every wall. There is virtually no one in sight.
Various rooms lead off the cloisters, including a lugubre royal pantheon of the Braganza monarchs and a marquetry marble chapel.
A staircase with azulejos on both sides leads up to the La Fontaine collection on the first floor. I don’t recognise any of the 38 fables but our guide book tells us that many of them are relatively obscure. I like the one about the astrologer who is so busy looking at the stars that he falls into a well.
By now, my feet are aching but we remember that the lady who sold us the tickets said there was a good view from the roof terrace. Good is not the word – it is breathtaking. We can see the National Pantheon, Alfama, the Tagus River and rooftops of Lisbon spread out before us.
There are lots of columns on top of the balustrades that remind me very much of Gaudi’s chimneys, especially the ones on Guell Palace. This is not the first time that I am reminded of Gaudi in Lisbon.
We walk back to Largo da Graça to get the n° 28 tram down to our bus in the historical centre. We’ve only been in it for a few minutes before it comes to a stop. The driver climbs down to check the tyre of a big black stationwagon badly parked halfway up the pavement next to us. We can’t get past because the tyre is turned outwards.
As the passengers don’t believe we can’t get past, the driver, who seems very young, gets out with a template and shows that it’s impossible. He blows his horn very loudly for a long time but nothing happens.The next tram soon pulls up behind us so the drivers have a conflab. Our driver gets back into the tram and phones the police. There is a lot of photo-taking and questioning from the passagers, most of whom are tourists.
I whip out my dictionary and ask the Portuguese lady behind me if this happens frequentemente. She shakes her head. Eventually the driver tells us in English that it’s going to take an hour for the police to come and tow away the car. People start to leave the tram including ourselves.
Then several men all try to lift the car out of the way. Jean Michel joins them and they manage to move it enough to let the tram go past. Everyone cheers. The driver gets back into the tram and edges his way forward. We all breathe a sigh of relief!
I’m back from Lisbon (but there will still be more posts) so am resuming my weekly blogger round-up, beginning with a wonderful story about a Florentine pig from Margot from The Curious Rambler. Next, Andrea from Rear View Mirror, is celebrating her second anniversary on the road with a wonderful photo giveaway that I’m sure you won’t want to miss. And to end up, The Good Life France tells us the story of an Australian from Queensland who finally saw her dream come true with a visit to Paris and Provence. Enjoy!
The Bronze Pig of Florence
by Margo Lestz from The Curious Rambler, who lives in Nice, France where she likes to bask in the sunshine, study the French language and blog
I’m back in Florence studying Italian and my courses seems to be going better this time. I’m not confusing Italian and French anymore (at least during the first week). We rented a beautiful little apartment in a 15th century palazzo which has painted ceilings, huge windows, and terracotta floors. Florence is full of these wonderful old buildings and it’s such a pleasure to stay in one of them.
While I’m in Florence, I thought I’d take a break from writing about France and write about some of the curiosities of this city. Hope you enjoy the story of the Bronze Pig. Read more
Snapshots of Europe
by Andrea from Rear View Mirror (formerly Destination Europe), a fellow Australian who, after 6 years of living in France, has given up her Paris apartment to live a nomadic life slowing travelling around Europe, experiencing each destination like a local.
It’s coming up to the two year anniversary of me handing in the keys to my Parisian apartment and hitting the road to travel full time. Two years of living out of suitcases, countless hotels, Airbnb apartments and one barely habitable hostel.
I’ve been fortunate to visit most of Europe’s capitals, wander quaint villages, swim in turquoise waters, go zip lining in a national park and hiking through gorges. I’ve found my way to the top of mountains and dipped my toes in glacial lakes. My hard drive is at capacity with sunset photos and even the occasional sunrise. Read more
Visit to Paris and Provence
Written by The Good Life France, an independent on-line magazine about France and all things French, covering all aspects of daily life including healthcare, finance, utilities, education, property and a whole lot more.
Many of us dream of visiting France, especially Paris, the most visited tourist destination in the world, and Provence, high on the wish list of places to visit for so many, we talk to a lady whose dream came true…
We meet Carolyn Ansky from Queensland, Australia who says “for years I played the Marianne Faithful song ‘At the age of 37… she realised she’d never been to Paris”. I felt that at the age of 54 it was now or never for me. Read more
We’ve checked the weather and it looks like it isn’t going to rain. We walk down to Rossio Station to take the train to Sintra. We’re amazed to see the long queue of people, even at the ticket machines. We soon understand why – the system is quite complicated because of the Via Viagem travel card.
If all these people are going to Sintra, I think, it’s going to be very busy. However, we easily get a seat, the windows are clean (unlike the train to Charles de Gaulle airport in Paris!) and it is a comfortable 40 minutes to our destination. As soon as we get out of the train, it feels like we’re in a different part of the world.
The charm that is often lacking in Lisbon abounds in Sintra. It’s cooler and we are surrounded by what looks like a tropical forest. We stop for coffee and a cake at a little café opposite a house covered in bougainvillea. I order a cappuccino for the first and last time. Jean Michel wants a bigger cake than the pastel de natathat I choose. It turns out to contain ham …
To quote the Unesco World Heritage Site: “In the 19th century Sintra became the first centre of European Romantic architecture. Ferdinand II turned a ruined monastery into a castle where this new sensitivity was displayed in the use of Gothic, Egyptian, Moorish and Renaissance elements and in the creation of a park blending local and exotic species of trees. Other fine dwellings, built along the same lines in the surrounding serra , created a unique combination of parks and gardens which influenced the development of landscape architecture throughout Europe.”
We start walking up the hill towards the castle. The promenade is quite delightful, with forest on both sides and modern sculptures and views of the palace and town along the way.
The white royal palace with its two tall chimneys looms into sight. It was probably constructed on the site of the Moorish Alcazar and its buildings result from two main periods (15th and 16th centuries). We buy a double ticket to the palace and nearby Pema Castle for 22 euro each and begin our visit.
The first thing I see are what look like leather Henri II chairs and a table, similar to those in Blois castle. We go from one room to the next, admiring the beautiful azulejos tiles of which there is a different set in each room, the unusual ceilings and intricately carved furniture, harmoniously blending Gothic, Moorish and Renaissance elements.
Lovely little patios lead off the main rooms and there are views in every direction.
My favourite is the breathtaking Heraldry Room, built in 1515 to 1518, with its magnificent coffered domed ceiling. It reminds me of the beautiful rococco libraries along the Danube, such as Melk and Wiblingen Abbeys, except that the scenes on the walls are blue and white tiles.
I also love the Galley Room whose painted ceiling depicts various sailing ships representing the great discoveries.
By the time we finish it’s 1.30 and time for lunch. We wander off into the very touristy old town, with its steep little streets and I eventually see a sign saying Miradouro (panorama) providing an excellent view of the palace and surrounding countryside, including the steeple in the second photo.
There is also a little restaurant called Miradouro da Villa that still has a free table on the minute terrace. We are soon esconced on our high stools and can watch other people coming to “ooh” and “aah” over the view and take selfies.
We order pork spare ribs, rice and salad and a ½ bottle of local red wine. There are no half-bottles left so the waiter suggests wine by the glass, although he warns us to drink it slowly so it won’t go to our head! One glass doesn’t seem to do much harm and although it has no nose it is a dark red and full bodied.
At 28.40 euros for both of us, including olives and coffee, the restaurant with its beautiful view and quiet surroundings is an excellent choice.
Now we’re ready for the next part of our visit – Pena Palace, the most visited monument in Portugal. We take a return ticket for the local hop on, hop off bus which stops at the train station and in front of the tourist office in Sintra (tickets on board) (5 euros each). For the entire 15-minute ride to the palace, up a steep winding road, it pelts with rain! Just as we reach the bus stop, the rain stops. Good timing indeed.
We have the choice of either walking for 15 minutes up a pleasant path to the palace or taking a 3 euro bus. We walk of course.
By now, the palace is more visible. It looks like a pink and yellow Walt Disney castle and I think it is ghastly. Built in the 19th century, it is considered to be a work of pure Romanticism, designed by the Portuguese architect Possidónio da Silva.
Inside, however, are the richly decorated church, two-storey cloister and refectory of the monastery built by King Manuel 1 and donated to the order of Saint Jerome following a visit by King John II in 1493, accompanied by his wife Queen Leonor, who made a pilgrimage to a chapel dedicated to Our Lady of Pena built, it seems, after an apparition of the Virgin Mary.
For centuries, Pena was a small, quite place of meditation, housing a maximum of eighteen monks. I wonder what they would say if they could see the Disney castle and swarms of tourists today!
Lightning first damaged the monastery in the 18th century but the famous earthquake of 1755 reduced it to ruins. The marble and alabaster chapel, however, remained relatively unscathed.
It was left to rack and ruin until 1838 when the young prince Ferdinand who was a bit of a nature lover acquired the old monastery and much of the surrounding land. He turned it into a palace to be used as a summer residence for the Portuguese royal family. The work was entrusted to a German mining engineer, Wilhelm Ludwig von Eschwege, which is why it is reminiscent of some of the castles along the Rhine.
The King suggested that vaulted arches and mediaeval and Islamic elements be included and Queen Maria looked after a lot of the decoration and symbolism.
We decide not to visit the nearby Palace of Montserrate designed for Sir Francis Cook by the distinguished British architect, James Knowles Jr, an example of mid-19th-century eclecticism, combining neo-Gothicism with substantial elements derived from the architecture of India. Two palaces are enough in one day.
Instead, we walk down a fairly steep path to pick up the hop on hop off bus at the second last stop as we think there might be quite a few people waiting at the main entrance at this time of the day, but we needn’t have worried. There is plenty of room. We arrive at the station just as our train is about to pull out. Back at Rossio Station, we have time to enjoy the artwork on the walls.
How to Get to Sintra: Trip Advisor has excellent advice. Click here.
To use the Via Viagem card: See the metrolisboa website
When we discovered Jeronimos Monastery in Lisbon recently, I added it to the list of places that have left an indelible mark on me because they were totally unexpected and totally overwhelming. At the same time, I was asked to participate in the Booked.net – Top Destinations to Go challenge by Anda from Travel Notes and Beyond. Choosing just five places was a hard task so Jean Michel and I pooled our favourites, which include both man-made and natural wonders.
The Sagrada Familia in Barcelona
The interior of Gaudi’s Basilica of the Holy Family is absolutely dazzling, breathtaking, overwhelming. There are no words to describe it and no photo to do it justice. It is the most amazing well of light imaginable. The brightly coloured stained glass windows that would be gaudy anywhere else are quite superb.
Gaudi was only 31 when he began working on the cathedral in 1883. It evolved considerably during his lifetime, becoming more and more audacious. Sadly, he was run over by a tram at the age of 73 and nearly all the plans destroyed by fire during the Civil War in 1936.
The pillars, which split into two halfway up to remove the need for flying buttresses, represent trees in a forest with leaves at the top. The pillars themselves have a special spiral design with fluting that increases in number as it gets higher and take us soaring up to the highest point, 45 metres above the ground. An unforgettable moment.
Plitvice Falls in Croatia
And to think that I nearly missed Plitvice Lakes National Park as a result of eating tainted prawns in Dubrovnik!
Never had I seen colours like those in the Plitvice Lakes. Each view was more marvellous than the one before!
At 10 am, before the floods of tourists arrive, the upper path is simply an hour of magic to remember forever.
Tasman National Park in Australia
Our trip to Tasmania was somewhat disappointing, due to cold rainy weather. But the sun came out at last and we set off for Port Arthur. On the way, we followed a sign saying Blow Hole, Devil’s Kitchen and Tasman Arch.
And what we saw was mind-blowing.
These natural formations along the rugged coastline about an hour and a half south of Hobart are dramatic and grandiose, leaving a impression of immensity that you will never forget.
Rila Monastery in Bulgaria
The initial impression of Rila Monastery built halfway up a mountain and surrounded by forest is quite fabulous.
Founded in the 10th century by the hermit St John of Rila, it was destroyed by fire in the 19th century and rebuilt between 1834 and 1862. Although characteristic of the Bulgarian Renaissance (18th-19th centuries), which symbolises the awareness of a Slavic cultural identity following centuries of occupation, it is quite unique.
The monastery museum contains the most fabulous carved cross I’ve ever seen produced painstakingly by a monk called Rafail, with 104 religious scenes and 650 miniature figures and 12 years in the making. It was hardly surprising that Rafail lost his sight in the process. Just one more reason to remember Rila.
The S-Bend in Austria
Cycling along the Danube from its source in Donau-Eschingen to Budapest was a magical experience in itself. One areas stands out in particular, the Wachau world heritage site in Austria between Linz in Austria and Passau in Germany and the S-Bend in particular.
The single most remarkable moment of the trip was the view of the S-bend from Schlogen blick.
We had spent the day cycling along tranquil car-free paths, going back and forth across the Danube on a series of little ferries, and now we could see our day’s journey spread out in majesty before us. A truly unforgettable moment.
So tell me, if you were asked to name your five most unforgettable places, what would you choose?
And if you’re a blogger, why don’t you join the To Destinations to Go challenge (and the chance to win an iPhone 6)? Click here for more information.
“I mustn’t forget to show you something before we leave Wittenberg tomorrow”, says Jean Michel, “a modern building, the Martin Luther Gymnasium” (which means high school).
Wow, I am bowled over when I see it, tucked away behind the vegatation in a side street. It’s Sunday so there is no one about. What an inspiring place to go to school.
According to the official website, the architect, Hundertwasser, a visionary and reponsible creator, mobilizes the power of his art in order to spread his message for a life in harmony with nature and individual creativity.
He is a symbolic figure for a non-conformist way of life, a forerunner of environmental protection and an ambassador for a self-determined alternative existence.
Friedensreich Hundertwasser Regentag Dunkelbunt LiebeFrau was born in Vienna on 15th December 1928 and died on board the Queen Elizabeth 2 on 19th February 2000 on his way back to his home in New Zealand.
He was an artist, thinker and architect or, as he claimed in his manifesto of 24th January 1990, a doctor of architecture with a passion for water and colours. His deeply environmentalist message was expressed early on in everything he created: paintings, posters, postage stamps, houses, buildings, books.
Our next stop is Magdeburg, It’s already 31°C. We park just in front of the Green Citadel, in the middle of the city, another work by Hundertwasser, and said to be his architectural masterpiece.
For me, it’s love at first sight: golden globes on top of towers, “tree tenants” looking out of “dancing windows”, meadows of wildflowers on the roofs, “foot melodies” taking strollers through the inner courtyard.
We go round the other side and discover there is a restaurant inside, along with a hotel, shops and private apartments. The courtyard is cool and shady.
For a total of twenty euros, we have a glass of Riesling and the dish of the day brought by a friendly waitress speaking excellent English. We take our time to soak in the atmosphere of the courtyard with its little fountain.
Even the pay-for public toilets are part of the decor. The waitress gives me a token.
Reminiscent of the colourful works of the Gaudi in Barcelona, Hunterwasser’s buildings are quite unique. My photos do not do them justice.
After a standard breakfast, we set out on our bikes at about 10 am for Wörlitz, 25 k away. I’m feeling rather sluggish and the somewhat dull countryside doesn’t help. We’re finding it a little hard to adapt to the difference between the Elbe and the Danube where nearly every bend brings a change of scenary. We like the red brick buildings with their intricate details though.
We eventually come to a pretty little village with a watermill and an excellent cappuccino at the top of a steep climb restores my energy.
We arrive at Coswig and take the cable ferry. Jean Michel explains how the current and the length of cable are used to cross the river.
Worlitz is another 5 km along the river. By then it’s lunchtime so we follow the advice of Le Routard and eat at Grüner Baum. Jean Michel chooses fish and I go for the schweiner schnitzel which is excellent.
We leave our bikes in a courtyard next to the tourist office which is locked at night and set off for the castle on foot. We are delighted at what we see. The 277-acre Wörlitz Garden was mainly developed between 1764 and 1800 and is one of the largest and earliest landscape parks in Europe. It was masterminded by Prince Leopold III Friedrich Franz of Anhalt-Dessau and his architect friend Friedrich Wilhelm von Ermannsdorf.
The two of them went on a grand tour of Europe which included England, France, Italy, Switzerland and Holland over a period of sixteen years and put their innovative ideas and ideals into practice in a series of buildings and naturalistic landscapes containing several lakes, around which there is no enclosure whatsoever. Small cable ferries take you across the water in the middle of waterlilies or you can take a so-called gondola like the German group below.
We choose to visit the palace (landhaus), the Gothic House and Hamilton Villa, all of which have guided tours in German with, we are told, documentation in French and English.
We love the gardens, which are very peaceful and bucolic and we love taking the little ferries.
It turns out we are the only people on the tour of the landhaus and the guide only speaks German. She gives us documentation in French and tries her very hardest to share her enthusiasm about the house by articulating clearly and repeating the words we seem to recognise. At the end of the ¾ hour visit, I’m exhausted!
The landhaus, finished in 1773, was the first Neoclassical building in Germany. It contains a large collection of Wedgwood porcelain and many innovative features such as pull-out beds.
Since it’s already 4 pm we only visit the Gothic House from the outside. Started by Erdmannsdorff in 1774 and modelled on Horace Walpole’s villa on Strawberry Hill, it was one of the first Neogothic structures on the continent.
We start walking towards Hamilton Villa and the path takes us around a never-ending field of rye, wheat and barley. An hour later we arrive at the Villa which is overrun by a wedding party we saw when we first arrived. We are told by a helpful man in English that there is another compulsory guided tour in German so decide not to enter after all. However, as we walk away, the man comes after us and gives us a brief rundown on the what there is to see and says we can explore on our own.
When Leopold III was off on his grand tour of Europe in 1760, he was capitivated by Mount Vesuvius and the newly discovered of Pompei so 22 years later he built his own little volcano on an island of local rock. A hollow cone at the top contained a chamber with three fireplaces and a roof with an artificial crater that could be filled with water.
He then built a lake around the volcano and invited his friends over to watch the eruption. Ah, the advantages of being a rich prince! There is also an amphitheatre, Roman baths and various chambers underneath the volcano.
The little Neo-classical villa at the foot of the volcano symbolises the friendship between the prince and the British diplomat, Sir William Hamilton, who was also a geologist and collector of antiquities. It, too, was designed by Erdmannsdorff. We pay an extra 3 euro to take photos which I think is a little exaggerated given that the entrance is 4 euro per person.
We walk back along the artificial lake to the tourist office, suddenly worried that it might close before we get there. What will happen if our bikes are locked up for the night ? Fortunately, we make it with ten minutes to spare. It’s 6 pm and we’ve still got a 2 hour ride home! It’s been a long day …
We’re up early due to the lack of shutters – it’s light at 5 am at the moment – so we have breakfast, pack up and cross the bridge to Neustadt or New Town as opposed to Altstadt or Old Town where we’re been staying. On the way, we see a wonderful trompe l’œil building. The Germans love painting their façades but I haven’t seen anything this sophisticated before.
After reading Anda’s post about the singing drain pipes in Travel Notes and Beyond, I am eager to see Kunsthof Passage in the student district. We are not disappointed.
To quote Anda, “Kunsthofpassage is one of Dresden’s best kept secrets. The passage is actually a series of five small courtyards – not visible from the street – that were turned into an art experiment, called the Ginkgo project.A group of artists – sculptors and designers – took a bunch of old buildings and redesigned their façades, giving each building and courtyard specific motif and a theme of its own. The project was completed in 2001.” I shall let you read Anda’s post for more details and just provide a few photos.
We walk through the passage and out onto the other side, then turn left twice. On the way, we see lots of other fun street art. We are reminded of Budapest in particular.
Our next destination is Pfund’s Molkerei, founded in 1880 and said to be the world’s most beautiful dairy shop. Its hand-painted tiles and enamelled sculptures are all handmade by Villeroy & Boch. You can buy wine, cheese and other dairy products and eat in the upstairs café restaurant. It is, indeed, very beautiful.
But next door is more fun – a brush and broom store. I could buy half the shop. Germany is a very clean country and I can see why. There is a broom for every household task! We settle for some wooden clothes pegs, a nail brush and a sort of mini-rake to clean Velcro. The saleswoman is very enthusiastic about all her products and gives us several demonstrations.
We go back to the car park further along the street where there is another exceptional example of trompe d’oeil. It seems wasted on a parking lot!
As we drive towards Meissen, we see a very impressive mosque which is surprising because I haven’t seen any women in veils or other signs of Muslims, but then, we haven’t ventured any further than Altstadt, Neustadt and Renault! I learn later from Anda that Yenidze is a former cigarette factory that functions now as an office building. “Yenidze” was the name of a tobacco company that imported tobacco from Yenidze, in Greece. So there you go!
We didn’t go to the Accademia in Venice last time and I’m not really sure what is awaiting us but the weather isn’t brilliant so a gallery seems like a good idea. Housed in the former Scuola della Carità, the Convento dei Canonici Lateranensi and the church of Santa Maria della Carita, all disbanded by Napoleon, the Accademia exhibits pre-19th century paintings. Surprisingly, there is no queue.
One of the first paintings that strikes me is a winged lion by Cima da Conegliano. We’ve been seeing these all over the city of Venice. The original is bronze sculpture which arrived in the Piazza di San Marco in the 12th century and came to symbolise Venice, as well as of its patron saints, St Mark. Whenever the Venetians conquered another city, they left a winged lion behind.
Opposite is a painting by Paris Bordone in 1534, showing the legend behind the tempest that struck Venice on 15th February 1340, in which a gondolier returns Saint Mark’s ring to the Doge, Bartolomeo Gradenigo.
The Doge, who ruled the city, was partly chosen by lot and partly elected in several rounds or ballots (from the Italian pallote = small balls used as counters in secret voting) according to a complex elective machinery to minimize the influence of individual families that operated from 1268 until 1797.
A much smaller painting called The Tempest, depicting a woman suckling a baby and exposing her pubic area, and a man, possibly a soldier, was painted in about 1506 by Giorgione, who died of the plague at the age of 32. The historians are not really sure what it’s about, but it is one of the first paintings in which the landscape is not merely a backdrop, but a feature.
According to Philippe Solers in his Dictionnaire amoureux de Venise, a second painting, which we eventually track down in another room, called La Vecchia (the Old Woman) shows the same woman, fifty or sixty years later. Instead of a baby, she’s holding a paper that says COL TEMPO – with time. An allegory of Venice?
But the paintings that really fascinate me are by Carpaccio, who had disappointed me at the Louis Vitton store earlier in the week. Venice is brought to life in incredible detail in his cycle of nine paintings entitled The Legend of Saint Ursula. There are the Venitian blonds, who used to bleach their hair on the top of the palazzi, on wooden terraces called altane, one of which you can see in The Tempest above, on the left of the tree.
There is the old wooden Rialto bridge in The Miracle of the Relic of the True Cross with the gondoliers in much the same attitude as today except that they are wearing jerkins and hose and the tourists look a lot more elegant.
At the bottom of the Presentation of Jesus at the Temple, there is a little mandoline player who so reminds me of a childhood friend that I stop in my tracks. What concentration and independance!
But the most impressive painting of all and one of the largest canvasses of the 16th century, is by Veronese. It is ostensibly a last supper but created such scandal that its name was changed to The Feast in the House of Levi.
Painted to hang in the refectory of the Basilica di Santi Giovanni e Paolo, a Dominican friary, it was taxed with irreverence and indecorum by the church. Veronese was asked to explain why it contained “buffoons, drunken Germans, drawfs and other such scurrilities”, as well as extravagant costumes and settings, depicting a Venetian patrician feast.
Rather than change the painting as ordered, he changed the title and that was the end of the story! I haven’t enjoyed an art gallery this much in a long time!
This week’s Blogger Round-Up is all Australian. French Moments shares the story of the croissant with us which is more Turkish orAustrian than French while Andrea from Rear View Mirror takes us on the ultimate road trip to Romania, a country that is definitely on my wish list. Gemma King from Les Musées de Paris, a newcomer on these pages, takes us through Le Petit Palais, one of my favourite museums in Paris. Enjoy!
The Formidable Story behind the French croissant
by French Moments, a Sydney-based organisation with an international focus which promotes the French language and culture to English-speakers worldwide. Their French team is all about the language, culture and experience
France is known for its “croissants”. It is up there with the Eiffel Tower and beret as a French icon. Here in Sydney, most people know that the croissant is a true French delicacy and it is loved in all its forms: plain croissant, chocolate croissant (“pain au chocolat” in France), almond croissant, ham and cheese croissant and more…
The idea of researching the croissant came to me in June 2011 when one of our French students asked me the meaning of the French verb “croître” (to grow). While explaining this word in French, I wrote on the board another word using the same root: “la croissance”. Immediately, the man pointed out: “then it’s like ‘croissant’!”. Read more
The Ultimate Romanian Road Trip
by Andrea from Rear View Mirror (formerly Destination Europe), a fellow Australian who, after 6 years of living in France, has given up her Paris apartment to live a nomadic life slowing travelling around Europe, experiencing each destination like a local.
I don’t know why I had such a poor opinion of Romania before visiting. I was expecting it be more like the Balkans and less like Eastern Europe. I was thinking it would be more than a little rough around the edges but in actual fact the cities are much like elsewhere in Europe with their beautiful historic centres, delicious traditional and modern cuisine plus some very cool castles. Read more
Le Petit Palais
By Gemma King, from Les Musées de Paris, self-proclaimed muséophile, and an Australian PhD student working between Melbourne and Paris. She writes on movies for work and goes to museums for fun.
Many Paris museums work because they adopt a single point of interest and run with it. Le Musée du parfum features nothing but perfume, but it investigates the topic like nowhere else. The good people of Le Musée Clémenceau seem to think nobody on earth has ever mattered as much as Président Georges, but by the end of your visit, you’ll probably agree. Paris museums go to all manner of extremes, favouring the most precise of objects (ahem, Museum of Eyeglasses) and exploring that object, its history and its specificities, with incredible dedication. These extremes of passion are often what make Paris museums so special. Read more